A magical book transforms all who come into contact with it. Meet Dante, a bookstore manager with a crippling secret; Gina, a customer, who knows everything but love; Zoe, and among others, Dante's former lover who's life is falling apart.

A kidnapping case uncovers a decade-old murder hidden in an old phonograph recording. As the investigation reveals shocking secrets, three young people, once full of potential, form an unbreakable bond, facing their dark pasts and protecting each other from fate’s grip.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of one day.

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A lonely bathroom attendant starts a business renting passengers to freeway commuters who want to utilize the carpool lane.

A lonely bathroom attendant starts a business renting passengers to freeway commuters who want to utilize the carpool lane.

Jan, an itinerant male nurse from Denmark, takes a new job with Mrs. A, a terminally ill Manhattan woman raising her parentless thirteen-year-old grandson, Gil. Spending the summer by the shore, the emotionally reserved Jan finds himself oddly cast as a mentor to Gil in having to prepare the sensitive boy for life with his cousins in Florida after his grandmother's death.

Fresh from a night out at yesterdays wake, 'Rent A Mourner' Charlie turns up to a funeral late, tired, and hungover. Another day at the office. But when the 'mourning' takes an unexpected turn, she must come face to face with a deeply buried secret from the past.